The contours of the Seattle stool are drawn on an illuminated background; sharp lines on a background that fades into darkness.
Between the present and the past, the modernity of design meets the classicism of portrait form.
«I THINK THAT EVEN OBJECTS HAVE A SOUL. THIS IS WHY THEY EXCITE US, AND THAT A SENTIMENTAL RELATIONSHIP OFTEN DEVELOPS WITH OBJECTS».
The encounter between Poliform and Paolo Roversi resulted in a series of images that, in turn, depict encounters between models and design objects. A meeting that is also recounted in a book.