PAOLO ROVERSI
Solid volumes and essential lines accommodate the human form, in a combination that enhances the functionality of the form.
In the encounter between the material of the object and the light, the armchair appears dynamic, its curved contours blurred.
«I THINK THAT EVEN OBJECTS HAVE A SOUL. THIS IS WHY THEY EXCITE US, AND THAT A SENTIMENTAL RELATIONSHIP OFTEN DEVELOPS WITH OBJECTS».
PAOLO ROVERSI