The interior of a skyscraper with a view of the city skyline

The skyscraper is an icon of contemporary life, as is minimalist style. In this penthouse, the interiors harmonise with the skyline, giving expression to a new classicism, with rooms interconnected through flexible systems and neutral tones that update traditional elegance in the light of a contemporary lifestyle.

The entrance

At the entrance, the round Kensington table is imposing and sculptural. Standing alone in the centre of the room, with the metropolitan skyline as a backdrop, it sets the tone for the rooms that follow – contemporary, evocative and refined, skilfully blending architecture, art and design.

The living room

In the living room, the selection of furnishings favours modern forms and materials. Suspended on slender legs, the sofa is a synthesis of horizontality and lightness, as is the coffee table, while the armchairs stand tall on their metal bases. The colour tones are sophisticated, while the textures of fabrics and leathers add a tactile note.

The Mondrian sofa was chosen for its minimalist design and graphic, modern look with strong architectural appeal. The configuration is a classic L-shape, with a seat width that ensures maximum comfort. Alongside it are Stanford armchairs, which are also inspired by a minimalist, contemporary aesthetic that favours metal as its material of choice.

The dining room

In a convivial space, the furnishings are dynamic and the finishes exclusive: the table top with a sculptural base is made of marble, while the chairs are completely upholstered in leather. Adding character, the red sideboard with a glossy finish contrasts with the urban landscape glimpsed through the large windows.

A Kensington table was also chosen for the dining room, the same as the one in the entrance hall. The monumental nature of this space is softened by the dining area and the design of the Seattle chairs, which are distinguished by the careful craftsmanship of their leather upholstery, with stitching and broguing inspired by traditional English footwear.

Unfolded

Scheltens & Abbenes are a duo of artists-photographers among the best known in the world of still-life photography. Maurice Scheltens was trained as a photographer and Liesbeth Abbenes as an artist, but when they work together they become each other’s mirror, exploring the potential of both means of expression. What is essential in the work of Scheltens & Abbenes is the process, that meticulous work of constructing, folding, and reordering that transforms every object any object, from a shirt to a paper flower – into a two-dimensional surface with a strong graphic impact. Sometimes things become unrecognizable, abstract subjects to be decoded, like the dark clothes of the Unfolded portfolio; other times they are more easily identifiable, al-though out of context or portrayed in unusual configurations, as is the case with the white shirts. A somehow reassuring dis-order, a deconstruction that builds and tells a vision of the world that is different each time."

The kitchen

The kitchen is also contemporary and minimal. Neutral tones and glossy finishes harmonise with the skyline visible through the glass window, while the round snack counter creates an intimate corner for family meals. Its curves and wood-effect finish emphasise a sought-after warmth, reflecting the balance between modernity and tradition that characterises the entire home.

Shape is a kitchen with contemporary lines, with handles that draw inspiration from traditional models, but with updated aesthetics and functionality. The glossy lacquer finish is inspired by the city’s architecture, creating dynamic reflections, while the light colour visually expands the space, leaving the eye free to focus on the outside landscape.

The second living room

The second living room is more intimate and private. The TV has been replaced by a fireplace, which creates a warm and relaxing atmosphere. Sofas, armchairs and footstools create the perfect setting for conversation or reading, while the harmonious blend of colours, finishes and artwork mirrors the aesthetic of the other rooms in the house.

The sofas in the second living room are also from the Mondrian Collection. The combination of grey and black leather brings life and character to the environment, recreating an urban atmosphere. The Wall System brings together several functions: art display, bookcase and storage unit with closed compartments.

Thomas Lenthal

Art director of Glamour in the Nineties, legendary founder of Numéro, creative mind of some of the most important French fashion brands: Thomas Lenthal, now director of the System magazine and editor of the men’s magazine Paradis, is one of the most authoritative voices of contemporary art direction, as well as one of the most influential people in the fashion system according to Business of Fashion, which has included his name among the 500 of its list. But for Thomas Lenthal fashion remains first of all and above all a language, a dis-course on style and life like the one we read in his favourite objects, which can start with a pair of glasses to then end on the roofs of Paris embossed on the golden bronze of a small box of Line Vautrin. A dialogue that, between a collection of Japanese dolls and a small elephant-shaped sculpture, an-imal symbol of the father figure, shines like a golden pyrite.

The Master bedroom

The bedroom is an alcove decorated in calm, relaxing colours. The bed with its padded headboard and armchairs create cosy corners for relaxation and tranquillity in a room designed for spending time in during the day, as well as at night. When the colours become darker, the quality of the materials, down to the smallest detail, is perfectly in keeping with the living area.

The Park 1 bed is easily recognised by its generous padded headboard, which contrasts with the light metal frame. The charm of this bed lies in its tailored details, from the large headboard cushions, with double fabric and leather upholstery, to the optional rollers, which feature the same finish as the bed frame and the Park bench cushion at the foot of the bed. The Stanford armchairs are the same as those in the living room, here chosen in a textile finish with a couture texture.

The Wardrobe

Glass and metal also feature in the wardrobe area, which complete the sleeping area. In the centre of the room, the freestanding chest of drawers is a functional and elegant piece of furniture that evokes the aesthetics of a luxury boutique.

The Senzafine walk-in wardrobe revisits the wardrobe system in a light and elegant way. In this configuration, it combines both open compartments and closed compartments with glass doors to meet all your storage, organisation and practical needs. Warm lighting and the Tratto rug combine to transform a functional area into a comfortable space.

STYLEBOOKS ARCHIVE

Nordic Spirit

Hidden gardens

A modernist villa

Life in the city

Calming retreat

Harmony in details

ERNEST

SAINT-GERMAIN

Sofa
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